Festige will do about 50% of vsts in linux, dssi-vst about 20%, while reaper
^ Organelle is a basically just a Pure Data language host. So: 1) I think you can make a patch that contain multiple synth engines. But you will need properly organize that patch, switching from engine to engine, etc. Published on Mar 8, 2018 Critter & Guitari 'Download here: This is DJ Patch Record, a special kind of looper for the Organelle.
is about 90%, and you need nvidia graphics, and pci audio, or the numbers go down somewhat,
as the gui are often the failpoint. Synthmaster creations fail the most, some Synthmaker apps have a
few quirks, module dependant, while dongled apps, or those with custom copy protection intertwined with windows code unsupported by wine, always fail. As they should!.
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Wine has proven to draw gui better this year than last, as is it's history. New linux users who are musicians, should avoid updating a working daw box to the 'newest' linux, but they fall for it over and over and over.
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Musicians with supported hardware, a linux using friend, or the desire to learn the OS beyond audio production, have a bright future, as at least 5 audio production distributions are improving apace.
The 400 meg Studio 1337 (yeah, Steinberg, I said 'meg') is astounding. Pro-Tools needs that much code
just to use a mouse. @ briandc, for best longterm 'luck', become familiar with puppy, rpm and deb based
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distributions. The hardware detection and support are different, and nuances of software are different.
A particular failure in one type of distro, is often fine in another.
The crashes based on Synth1 presets are probably based on not using reaper to host your plugins,
or an arcane sublimity in wine math calculations not liking a motherboard chipset.
I experienced some of those, but not in the last three years. A sound designer
I asked looked at the presets, and saw no obvious symptoms.
Cheers
I decided the best way to pick up the sound was to mount piezo mics at the bottom. I used the end all be all bond, ELECTRICAL TAPE as the adhesive for the mics. I would then twisty tie them to anchor movement because I want to make the synth active. I then would solder extensions with hacked cut in half 1/8inch mono cables so they can patch into the mini euro module system.
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I would then patch all piezo mics into the mixer and then sum it all in the end into a Makenoise Phonogene manipulated by a Makenoise Rene triggered by a Bastl Instruments Sense Module Soldered to spoons as the contact controllers.
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WHAT IS HAPPPENNNNIIINNNNNNGGG:::::
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I am basically having the user be the trigger point that starts the Makenoise Rene's Movements. From there I patched the Rene's outputs to Various Inputs of the Makenoise Phonogene creating a granular deconstruction of the rice audio. You will see in later documentation the interaction with both participants and a collaborative performance with Low Leaf from LA.